Chris Lianopoulos

Guide 05Scope · Dependencies · Scheduling · Delivery

The Production Planning Playbook

A working system for turning an approved creative brief into a production plan with clear dependencies, realistic commitments and controlled changes.

Build the working production file

This workbook begins after the objective and creative direction are approved. Its output is a plan people can execute.

A missed dependency should be traceable to the output it threatens, rather than hidden in a general email thread.

  1. Create six connected records

    Use a scene register, dependency list, location-release plan, working schedule, change log and delivery acceptance sheet, and keep the same scene IDs throughout so a missed dependency stays traceable to the output it threatens.

  2. Follow a worked production

    The examples use a fictional coastal hotel launching two renovated suites and a terrace dining experience. The essential scope includes both suite stories and a terrace scene for stills and film. All durations and arrangements are illustrative planning assumptions, to be validated with the actual team.

  3. Assign an owner to every record

    Give each record a single job, and let the production lead maintain the current working version so the team always knows which plan is live.

Make each scene commissionable

Replace a vague shot-list item with a card that describes outputs, dependencies and completion.

  1. Required output

    Name exactly what the scene must produce. For a terrace dining scene: one selected dining hero plus a connected film sequence, with agreed landscape and portrait delivery versions.

  2. Completion test

    Write the condition that proves the scene is done: the terrace setting and a credible service action are represented, and the agreed compositions support the intended placements.

  3. Prerequisites

    List what must be true before capture: terrace held, tables prepared, kitchen ready, two participants available and the light window confirmed.

  4. Time assumptions

    Allow for preparation, stills, film action, resets and a short review, and estimate each with the capture leads before scheduling.

  5. Priority and fallback

    Mark the scene essential or optional and name its fallback. Here the covered dining location is the candidate fallback, subject to creative and operational approval.

  6. Release and approval

    Say who releases the location and who approves changes: the property coordinator releases the terrace, the production lead controls the sequence, and the brand lead approves material scope changes.

Find what can block the scene

Work backward from the required capture window, and resolve the earliest fragile dependency first.

  1. Suite readiness chain

    A suite runs from vacated to maintenance, cleaning, styling and capture. If it slips, the room is vacant but still unusable. The property coordinator owns it, evidenced by a signed readiness status.

  2. Food service chain

    A menu runs from approved to ingredients, food preparation and service action. If it slips, food arrives outside the scene window. The food and beverage lead owns it, evidenced by confirmed preparation timing.

  3. Talent chain

    Talent runs from confirmed to wardrobe approved, arrival and preparation. If it slips, people arrive but cannot enter the scene. The talent lead owns it, evidenced by wardrobe and arrival confirmation.

  4. Access chain

    Access runs from terrace held to guest access managed, setup and capture. If it slips, operations interrupt a prepared scene. The property coordinator owns it, evidenced by a circulated hold window.

Treat access as a booked resource

A room hold must cover preparation and resets as well as capture. Name who can release it back to operations.

  1. Suite A (S-01)

    The hold covers readiness inspection, styling, both media and reset. Release it when the capture leads confirm essential coverage and the property lead checks restoration.

  2. Suite B (S-02)

    The hold covers the same sequence, with its own category details verified. Release it when S-02 is complete and no return request is unresolved.

  3. Terrace (T-01)

    The hold covers furniture placement, service setup, action and clearing. Release it when stills and motion are complete, or an agreed fallback is recorded.

  4. Staging room

    The hold covers equipment, wardrobe and props throughout the relevant scenes. Release it when the team removes stored items and confirms the space is clear.

  5. Check the holds before the call sheet

    Compare these holds with check-ins, housekeeping capacity and service hours. Where a conflict remains, revise the scene order or scope before promising a capture window.

Calculate the real scene duration

Capture time is only one part of the commitment. Moves, preparation and resets consume the same day.

  1. Use a transparent estimate

    For an illustrative terrace scene: 20 minutes to prepare, 25 for stills, 10 to reset, 30 for film and 10 to review and clear, which is 95 minutes. Add travel from the previous location separately. These figures explain the method; the production team must set realistic durations.

  2. Fit demand to the scarce window

    If only 60 minutes of suitable conditions are available, the 95-minute sequence does not fit. Move eligible preparation earlier, simplify agreed coverage, capture one medium in another suitable window or add another session. Do not solve the mismatch by quietly assuming faster work.

  3. Reserve contingency deliberately

    Place recovery time where overruns are likely and where it can protect the next priority. A buffer at the end cannot restore lost light earlier in the day. Check meals, movement and operational reopening times before declaring spare capacity.

Run the scene as a relay

Specify the handoff so stills and film share preparation without competing for the same action.

  1. Set the scene

    Styling and the property coordinator lead. Hand off when props, service details and participant positions are ready.

  2. Capture stills

    The photography lead takes over. Hand off when the agreed still coverage is checked and any objects to preserve are identified.

  3. Reset for action

    Styling and the film lead reset the scene. Hand off when continuity is restored and movement and sound needs are confirmed.

  4. Capture the sequence

    The film lead runs the action. Hand off when the opening, action and resolution are covered as agreed.

  5. Release

    The production lead closes the scene once both leads confirm the essentials or log a specific return need.

  6. Avoid a hidden return visit

    Check completion before clearing the table or releasing participants. A missing action discovered after the setup is dismantled can cost more than a short review while everything is still available.

Make additions a visible decision

An extra scene changes the plan even when the request sounds small.

  1. Use a four-part change note

    Record the request, its estimated effect on time and outputs, the proposed tradeoff and the approving person. The production lead identifies consequences; the client decision-maker chooses a material scope change; the current schedule stays aligned with the decision.

  2. Worked example: an unplanned bar scene

    The client requests a bar scene during the terrace setup. The team estimates 35 additional minutes including movement and preparation, which would reduce the essential terrace window. Present specific options: replace a lower-priority scene if feasible, schedule additional time, or defer the request. Do not promise both without checking capacity.

  3. Set an approval deadline

    A decision is needed before the team commits to the next setup. If it does not arrive, follow the previously agreed scope and escalation process. Log verbal decisions promptly so editing and delivery teams know what was actually commissioned.

Pre-agree the next move

A fallback is useful only when its conditions, decision-maker and consequences are clear.

  1. Outdoor conditions unsuitable

    Check the approved covered alternative and the prepared interior list. Record the production lead’s proposed switch and the brand lead’s confirmation of any change to the story.

  2. Suite not released on time

    Move to a confirmed ready scene where timing permits. Record a reliable release time from the property lead, and revise the remaining scope if needed.

  3. Participant unavailable

    Use an approved action without that participant, or reschedule. Record whether the essential lifestyle deliverables remain achievable.

  4. Aerial work cannot proceed

    Use the planned ground-based context coverage. Record the unmet aerial output and the agreed next step with the client.

  5. Essential scene still incomplete

    Assess a further session and any delivery impact, and agree access, additional scope and timing before recommitting.

Close the loop on the scope

Use the scene IDs to connect capture, selection and delivery. This keeps an attractive edit from concealing missing work.

  1. Before location release

    Confirm the essential capture is completed, or log the missing item and the next action.

  2. At selection

    Check that the chosen assets represent each required scene and its specific completion test.

  3. At first review

    Make sure feedback identifies the asset or edit version, the requested change and the responsible approver.

  4. Before delivery

    Check agreed counts, film versions, crops, names and timing against the current scope.

  5. At handover

    Have the recipient check file access and formats, and give any unresolved item an owner and a due date.

  6. Keep revisions bounded

    Distinguish an agreed correction from a new creative request. If a request changes an approved direction or adds a deliverable, use the change process rather than burying it inside a feedback round.

Decide whether the plan is ready

Review critical dependencies before final commitment. Unresolved essentials require a concrete decision, not an optimistic status.

  1. Use three clear states

    Mark each critical item confirmed when evidence is received and an owner is named; at risk when a known issue has a credible fallback and a decision deadline; and unresolved when no dependable route yet protects the essential output.

  2. Work a real example

    S-02, suite release, at risk: maintenance is due to finish before the hold begins, the property coordinator verifies completion at the agreed checkpoint, and if it fails the team assesses a second session and revises the delivery commitment before arrival.

  3. Record the critical item and its action

    For each item, note the scene ID, dependency, current state and supporting evidence, then the owner, decision deadline and confirmed fallback.

  4. Confirm the commitment

    Name who accepts the plan and which outputs remain conditional.